
Your rights when buying a ring, and the two that get confused
Changing your mind and being given what was agreed are two different rights. On a commissioned ring they point opposite ways.
Silux London
Field notes from Silux London: Persian heritage, the craft of made-to-order fine jewellery, and the stories behind the collections.

Changing your mind and being given what was agreed are two different rights. On a commissioned ring they point opposite ways.

An engagement ring and a wedding band share a finger for a long time. That is a design problem before it is a commercial category.

Three design vocabularies from Persian heritage, and what happens when you translate them into solid gold.

Where the colour comes from, how it is graded, what it costs relative to a colourless stone, and the two questions worth asking before you buy one.

The honest answer needs two numbers, not one: the part the studio commits to, and the part that moves at your pace. Plus how to work back from a date.

What the commissioning process looks like from first enquiry to finished piece: design, stones, timing, deposit, and what the maker needs from you.

Necklaces, bangles and rings worn together. What makes a stack read as deliberate rather than accidental, and the older tradition it comes from.

Old European, old mine and rose cuts throw light in a way modern cutting designed out. What differs, how to set them, and when not to recut.

Made to order is not a delay. It is a decision about how jewellery should be made and who it should be made for.

A ring designed as a three-dimensional object rather than a flat setting for a stone. It reads as a 2026 trend and it is considerably older than that.

An engraved date is customisation. Personalisation is when the silhouette, the stone orientation and the band profile all answer to something about you.

Three tiny marks, struck by an office with no interest in the sale, telling you what the metal actually is. Here is how to read them.